DRAWINGS

DRAWINGS

In recent years, every project I create is accompanied by a series of charcoal drawings, traced directly by the movement of my fingers across the paper. They are not marginal notes to the photographs, nor technical supplements, but a parallel act—another breath of the work itself.Where the camera captures the surface with cold precision, the charcoal reveals the raw touch: the smudge of a fingertip, the erasure, the residue that resists control. Each drawing carries within it the effort, the passing of time, the materiality of presence—an imprint that feels alive.Photography and drawing exist side by side: the photograph gazes outward, while the drawing turns inward. Together they open a space of dialogue between the fleeting and the eternal, between body and spirit, between immediacy and lingering reflection.